Enya: The Occult Connection

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From day to day, my journey,
The long pilgrimage before me.
From night to night, my journey,
The stories that will never be again

The above lyric is the English translation of the part of Enya’s Book of Days sung in Irish Gaelic.

The first time I heard this song on TV in 2004, even though I was a Christian, it resonated deeply with my sense of aesthetics. Four years later when a Christian friend introduced me to his Enya collection, I dived into them like an excited dolphin. I couldn’t get enough of her music.

Sometimes when I listened to Orinoco Flow, I felt a strange sensation in my spirit, like I was immersed in a body of water.

From experience, I knew what that implied, and I began to check out her lyrics. Right from the first one I read, I could figure out the deep witchcraft codes embedded in them and I made a clean break.

Enya Patricia Brennan is more than just an Irish singer and songwriter born into a musical family. To unwary Christians, Enya’s music is a potpourri of classical, church and folk music with poetic, nostalgic and calming sensations.

To the uninformed, Enya is simply a liberal Irish Catholic who, at most, beautifies her faith with mysticism. But to the discerning, she is on a journey; a long pilgrimage on the Old Ways: witchcraft.

In this article, which is a sequel to the one I wrote four years ago, I will be unraveling more occult connections in Enya’s music, showing that those who identify her as a New Age/occult singer, are not mistaken by any means.

According to a reference work, New Age music emerged in the midst of “the advent of all manner of self-awareness and higher-consciousness trends and fads floating about in the 1970s, and the increasing popularity of non-traditional ideas regarding health and well being.” [1]

New Age stores not only also sell occult books, ‘healing crystals’ and pagan artifacts, but also New Age music – relaxing music that serve as aural companions for whatever occult technique the customer is seeking. It all fits together.

In occult circles, guided meditation is often practiced, in which the practitioner connects with the spirit realm and the spirits therein through the aid of mantra, occult music or drugs.

This occult meditation is aimed at different purposes: relaxation, for pagan breathing exercises, inducing trances, healing and preparation for spell work and witchcraft.

The relaxing music is aimed at fostering mental passivity and mind control which are necessary conditions to get yoked to the demonic realm.

During a spell work, a witch/magick practitioner must be able to use his/her mind to visualize and direct his/her psychic powers to its destination. Thus, they need pagan/occult-themed music to stimulate their minds.

Such music genre could be classical, jazz, or ethnic (such as Celtic), but they are music composed by the initiated and for the initiated. One occult organization even described them as “music of the spheres.” Indeed, the spheres of darkness.

A few examples of such music are Ave Maria by Origen, Mystic Spirit Voices by Lesiem, A Place Without Noise by Wayne Gratz, a number of Yanni’s music and of course, Enya.

Many of Enya’s song weren’t relayed in English language and she employed back masking which might not help those who don’t know about the occult sense that she was onto something sinister.

1. Afer Ventus (English translation: African wind) says:

Sea of the Clouds, Umbriel
(Each to their own. Each to it’s own)
Sea of the Rain. Ariel
(Me, myself. Each to their own is dear)
And we go to the stars …
Sea of the Tides. Io. Vela
African wind. Zephyrus
(Each to their own. Each to its own)
Volturnus. Africus…
Estesiarum. Eurus.
(Me, myself. Each to their own is dear).

Umbriel and Ariel, though names for moons of Uranus actually refer to specific demons. Umbriel is an earth demon often depicted with black wings, while Ariel is a demon of the air.

In Satanism, Ariel is a fallen angel called the “archon of wings” and is said to connect the adept to other elemental spirits.

Io is the name of a female water spirit worshipped in ancient Rome [2]. It’s no accident that Enya says that she moves with the tides of the sea.

Vela is the name of a constellation. It also means “sails (of a ship)” in Latin. Vela represents the sails of the Argo Navis ship which was constructed by the goddess Athena and consecrated to the Roman sea god, Poseidon. [3]

Zephyrus is the Greek deity of the west wind. He has strong ties to Zepar, another deadly demon that is invoked in Satanism, especially by men who seek to bring women under the slave of lust.

Volturnus is the Roman god of the Tibre and is probably regarded as the god of all rivers. He also belongs to the class of Anemoi and is equivalent to the southeast wind. [4]

Africus is the Greek deity of the southwest wind. Estesiarum is a term describing the north winds of the Aegean Sea and Eurus is the Greek deity of the East wind.

So, in this music alone, Enya invokes several “big guns” to take over the listener.

2. Exile (chorus)

I’ll wait the signs to come.
I will find a way
I will wait the time to come.
I’ll find a way home
My light shall be the moon
And my path – the ocean.
My guide the morning star
As I said home to you
Who then can warm my soul?
Who can quell my passion?
Out of these dreams – a boat
I will sail home to you.

You will notice that Enya keeps singing about being on a “path” or “journey.” Modern Witches believe their religion is the old path; and right from their initiation, each step taken upon this path leads towards a greater understanding of the natural world and the divinity that purportedly lives within them.

In witchcraft, the moon, through its phases and faces, is said to guide witches through the mysteries of life. It regulates nature and magick, and when they draw down the moon at their esbats, they are tapping into the pure white mystical light of the moon.

The “morning star” or “torch bearer” epithet is used for their goddess Hecate, Diana/Artemis, and in the Bible, it refers to Lucifer/Satan (Is. 14:12). So, the message Enya was conveying there is loud and clear.

3. Angeles

Angels answer me, are you near if rain should fall? Am I to believe, you will rise to calm the storm?
For so great a treasure words will never do. Surely, if this is, promises are mine to give you
Mine to give you …

Angeles, all could be
Should you move both earth and sea
Angeles, I could feel all those dark clouds disappearing … Even as I breathe comes an angel to their keep…

This lyrical content appears to be a conversation that is carried on with one seeking a guardian angel and promises (pacts) to cement the relationship.

In Wicca and the New Age, they regularly contact their “guardian angels” using altars, candles, oils, incense, crystals, beautiful fabric and statues. Of course, these are demons pretending to be angels.

A former satanist had this to say:

“These spirits of the air known as sylphs are the higher class of elemental forces that take the form of angels and deceive those that are in spiritual [occult] churches. When properly invoked by occult prayer, they could easily compel the lesser demon to evacuate the victim’s body for them to occupy. But as time goes on the victim continues to develop series of problems.

“These sylphs are in categories; some of them are attracted by white candles while others are attracted by coloured candles … These spirits … easily send visions to the mediums concerning governments, nations and people. They disguise themselves like angels of truth, often quote scriptures from the Bible, when the medium is possessed and using the name of Christ as well. Their mode of communication is by whispering in the medium’s ear or meeting them in their realm.” [5]

Occult meditation is the key to contacting these fallen angels and Enya’s reference to an angel visiting the listener as he/she “breathes” in sync with the calming sensation of her music is quite understandable.

4. Smaointe… (Thoughts…)

Listen to me, so sad forever
I am lost without you and your wife
The great love in your life
She guided me. Both of you, be with me always, day and night.

I cry at the great loneliness, tears so sad, and you sleeping in the quiet, green grave. In deep peace. There was happiness but it went away

You followed your husband, the great love in your life. He guided me. Both of you, be with me always, day and night.

From the lyrics, it’s clear that the song is directed to the “Lord and Lady” of witchcraft.

Many Wiccans are duotheists – believing in an eternal mother Goddess who rules over the earth, moon, sky and the sea and her consort, a Byronic Horned God who presides over the sun, hunting, sexuality and vegetation.

In Pagan myths, the horned god dies and is reborn each year, while the goddess descends to the underworld to mate with the Dark Lord. These themes are observed in Wiccan feasts and sabbaths:

“In mainstream Wicca mythology, the Autumn Equinox marks the time of the descent of the Goddess into the Underworld. With her departure we see the decline of Nature and the coming of winter. This is classic ancient mythos also reflected in the Sumerian myth of Inanna and the ancient Greek and Roman legends of Demeter and Persephone.

“In modern Celtic Wicca/Witchcraft, the Autumn Equinox also bids farewell to the Harvest Lord who in the mythos of some traditions was slain at the time of Lughnasadh (a festival marking the beginning of the Celtic harvest season).” [6]

Thus, non-initiates might not grasp the full meaning of what Enya was singing (and it’s not even in English language). Her lyrics also sound a lot like a chant seen on a popular Wiccan website:

“Goddess my shield, my encircler,
Each day, each night, each dark, each light … In my lying, in my standing, in my watching, in my sleeping. Goddess be my strength everlasting.”

5. China Roses

Who can tell me if we have heaven,
Who can say the way it should be;
Moonlight holly, the Sappho Comet,
Angel’s tears below a tree.

You talk of the break of morning
As you view the new aurora,
Cloud in crimson, the key of heaven,
One love carved in acajou.

One told me of China Roses,
One a thousand nights and one night,
Earth’s last picture, the end of evening
Hue of indigo and blue.

A new moon leads me to
Woods of dreams and I follow.
A new world waits for me;
My dream, my way.

This appears to be poetic, but even at that, she brings in some codes which her Pagan or Wiccan listeners can fully decipher.

The two archetypal forms of the horned god of witchcraft is: the Holly king and king Oak. In some traditions, the Holly king represents the bright form of the horned god.

“A thousand nights and one night” is an expression based on a Tarot emblem which typifies death.

Witches believe colour blue stands for devotion, harmony or love while indigo stands for wisdom, insight or spirituality.

Also, they believe the new moon signals new openings or beginnings. So, when Wiccans sight the new (crescent) moon, they begin their spells geared towards new pursuits.

6. May it Be

May it be an evening star
Shines down upon you
May it be when darkness falls
Your heart will be true
You walk a lonely road
Oh, how far you are from home

The evening star is a code for their goddess. She is also symbolized by the five pointed star or pentagram. A New Age and occult researcher, Deena Conway, wrote:

“Pentacle, pentagram: five pointed star with one point up; symbol of the Goddess in all Her forms. In ancient Egypt, it was the star of Isis and Nephthys; in the Middle East, that of Ishtar. To the Celts it was the sign of the Morrigan. A sign of the Earth Element in Tarot … Repulsion of evil; protection.” [7]

7. La Sonadora

I; the autumn
I; the evening star
I have been an echo

I shall be a wave
I shall be the moon
I have been everything, I am myself

I; the summer
I; the ebony
I am the dreamer

Even though this was sung in Spanish, when you compare its English translation to a track titled “Deity” sung by Wendy Rule – who openly admits to being a witch – you can see the similarities.

It’s here
I’ve followed
A voice
To follow
I am the maiden
I am the mother
I’m the crone
I am the sea
I am the sky
I am the blood
I am the moon
This is not a coincidence. Both women drink from the same poisonous fountain of witchcraft.

8. Epona

Though this music is entirely instrumental, its title indicates who it was dedicated to.

Epona is the name of one of the dark forms of their goddess. Witches praise her as “the white mare, spirit of the wild” whose “hoofs beat on the sand.” A Wiccan scholar notes that:

“Among the Irish, a red horse signified death. Horse deities such as Epona, Medb (the goddess mare) of Tara, and Macha of Ulster (protector of horses) are chthonic divinities of the dead.” [8]

Many Christian fans of Enya – I expect – would argue that since they do not subscribe to pagan beliefs and their use of New Age music is only for the benign purpose of relaxation, these occultic influences can’t affect them. After all, Enya also has a song in which she made references to “God the Father”.

This line of argument may sound fine in theory, but practically, it is false and misplaced. Even in the light of the above evidence, such thinking is muddled and in denial.

The Bible expressly forbids the practice of enchantments (keshaphim) and trafficking in spirits in Deuteronomy 18:10-13.

The rendering of the Hebrew keshaphim is “muttered spells” or “incantations,” rendered “sorceries” in Isaiah 47:9 Isaiah 47:12 , i.e., the using of certain formulae under the belief that men could thus be bound.

God’s Word also forbids sorcery (Greek: pharmakeia) which includes physical objects or magick that impacts the human senses. Enya’s music (and the others like hers) are geared towards controlling people’s minds and bringing them in touch with the demonic.

Notes

[1] “New Age Music” https://www.encyclopedia.com/media/encyclopedias-almanacs-transcripts-and-maps/new-age-music

[2] Rachel Alexander, Myths, Symbols and Legends of Solar System Bodies, Springer: 2014, p. 190.

[3] https://www.constellation-guide.com/constellation-list/vela-constellation/

[4] Brian Campbell, Rivers and the Power of Ancient Rome, University of North Carolina Press 2012, p. 141.

[5] “I Refused Hell” transcript of Monday Romanus Ekeocha’s testimony. Christian Alive vol. 2 no. 14, (2006), p. 2.

[6] Encyclopedia of Wicca and Witchcraft, Raven Grimassi, Llewellyn, 2000, p. 37.

[7] Deena J. Conway, Maiden, Mother and Crone, St. Paul, MN: Llewellyn, 2003, p. 179.

[8] Encyclopedia of Wicca and Witchcraft, p. 225

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A Call for True Worship

temple

The church today is fraught with a prevalence of mixtures – a mixture of good and evil; mixture of truth and falsehood; a mixture of spirits (the Holy Spirit and unholy spirits); mixture of law and grace; and a mixture of God’s children with the slaves of Satan.

These dubious mixtures are the underlying reasons behind the confusion, doubt, divisions and spiritual pollution among many Christians. The powerlessness and ineffectiveness of the Faith in this century can be traced to a blurring of spiritual lines; iron has been mixed with clay.

The enemy we were fighting on the front lines has not only entered the vineyard through the backdoor, but is also launching his missiles from within.

Even from church history, it’s clear that the core issues that prompted the Protestant Reformation – authoritarianism, image worship, relics, replacement of Christ with men, legalism – have all found their ways back into several Christian denominations today, though, in a more trendy and enticing form.

Indeed, we are fighting the same theological battles at each generation of the church. The very compromise with paganism that caused problems for first century Corinthian Christians has re-emerged as ecumenism and interfaith which is sinking some mainline denominations today.

The strange mixture of Judaism and Christianity which deceived many Christians in Galatia in the first century is still with us today as the “Sacred Name/Hebrew Roots” Movement.

The message to the church of Laodicea in the first century is still very relevant to several churches in our land today where colourful entertainment, pop psychology, syrupy “all-about-me” teachings and jamborees have drowned out the still voice of the Holy Spirit calling for repentance.

From Scripture, we see that God hates any worship that is a mixture. Jesus said “God is Spirit, and his worshipers must worship in spirit and truth” (Jn. 4:24). God seeks true and spiritual worship. He has no regard for those who mix their worship with the leaven of falsehood or filth of the flesh.

In Deut. 22:9, God warned His people, “Do not plant two kinds of seed in your vineyard; if you do, not only the crops you plant but also the fruit of the vineyard will be defiled.”

Do not plow with an ox and a donkey yoked together” (vs. 10)

Do not wear clothes of wool and linen woven together” (vs. 11)

The principle conveyed by these prohibitions is that when we serve the Lord, we should not mix two different types of things. We are not to sow a mixed seed, which represent a message comprising of both truth and error.

To allow mixed livestock to breed can represent a Christian group aligning itself with another group that is not Christian. Mating a sheep with a goat will result in sterility and possibly a malformed creature. When a church unequally yokes itself to a false religion, even for positive purposes, it results in spiritual fruitlessness.

To wear a garment of mixed material is like living simultaneously in accord with Scripture and in accord with the pattern of this world. This is the hallmark of spiritual confusion.

All through the ages down to the present day, people don’t always reject God outright; rather, they mix some falsehoods into their worship of God. Satan knows too well that if he can’t get you to forsake God, but encourage you to absorb some strange and impure things into your service, it will be rejected and you will lose out in the end.

Even when the nation of Israel made a golden calf they still appended Yahweh to it: “Tomorrow there will be a festival to the LORD” (Ex. 32:5). These were the same people who had witnessed supernatural miracles by the hand of God, yet they became so blinded by the devil that they effortlessly called a debased work of their hands their God. About 3,000 of them died for this abomination.

During their 40 years of wandering in the wilderness, the Israelites carried the tabernacle of God, but they added “the shrine of Molech and the star of your god Rephan, the idols you made to worship” (Acts 7:43; Amos 5:26). For this, God dealt with them.

In 2 Kings 17:32-33, we read about the nations living in Bethel:

They worshiped the LORD, but they also appointed all sorts of their own people to officiate for them as priests in the shrines at the high places. They worshiped the LORD, but they also served their own gods in accordance with the customs of the nations from which they had been brought.”

Doesn’t that sound like many contemporary Christians from various pagan cultures? They fear the Lord in appearance, in words and even occupy high positions in their churches, yet they still send money to priests who perform pagan rituals on their behalf; they still partake in family/communal pagan rites; they still pay homage to the gods of their ancestors and participate in pagan festivals.

In the time of Ezekiel, God transported the prophet in the spirit from Babylon to see what was happening in His temple in Jerusalem. He saw “an idol of jealousy” (possibly an obelisk) right at the entrance of the gate. He “saw portrayed all over the walls all kinds of crawling things and detestable animals and all the idols of the house of Israel.”

He saw “seventy elders of the house of Israel … each had a censer in his hand, and a fragrant cloud of incense was rising” to pagan deities. He “saw women sitting there weeping for Tammuz [a fertility god] … between the portico and the altar, were about twenty-five men … they were bowing down to the sun in the east” (Ezk. 8:10-11, 14, 16).

This was a pagan gathering of a second degree. The people had turned the Temple that was once filled with God’s glory into a filthy shrine. Mind you, all these pagan rites were being practiced while the Ark of the Covenant – the token of God’s glory – was sitting right in the Holy of Holies. What a deliberate insult to God!

To numb their conscience, these abominable practitioners were saying, “The Lord does not see us; the Lord has forsaken the land,” just the same way many today who profess Jesus in the open think God doesn’t hear the strange names they chant with their lips in the corner of their bedrooms.

They think He doesn’t see the strange places they visit for power and inquiries to find missing items. They think He doesn’t know of the occult rings, ointments, books waistbands, talisman, incisions and New Age medicine they resort to when they feel God is not answering their prayers when and how they wish.

When God could no longer tolerate the defilement in His temple in Ezekiel’s time, His glory finally departed from there and His judgement descended on them (see chapters 9-11). God’s response to a defiled worship is judgement.

The inebriated King Belshazzar learned this the hard way. He held a great banquet for his nobles, wives and concubines, then gave orders for the golden goblets that had been consecrated to Yahweh and taken from the Temple in Jerusalem to be used for drinking their wine.

No, this wasn’t an ordinary banquet; it was a pagan gathering: “As they drank the wine, they praised the gods of gold and silver, of bronze, iron, wood and stone” (Dan. 5:4). It was a worship of mixture – worshipping demon gods using vessels dedicated to God – and suddenly, he received his sentence from above. His life was taken and his kingdom was given to another.

In the days of prophet Zephaniah, God pronounced His judgement upon “those who worship the host of heaven on the housetops; those who worship and swear oaths by the Lord, but also swear by Milcom [or Molech]” (Zeph. 1:5)

Prophet Jeremiah had to challenge the people “who come through these gates to worship the LORD” and had mixed in pagan rituals, “You are trusting in deceptive words that are worthless. Will you … burn incense to Baal and follow other gods you have not known, and then come and stand before me in this house, which bears my Name, and say, ‘we are safe’…? (Jer. 7:2, 8-10)

It was with this understanding that Elijah had to call out to the people of God: “How long will you waver between two opinions? If the LORD is God, follow him; but if Baal is God follow him” (1 Kgs. 18:21)

Of course, Baal is still active an operative in our world today; he is a god with almost a thousand faces. He is in the fashion world; he’s in pornography; he is in the gay movement; he’s in the corporate world; he’s in abortion; he is in polytheism; he is in lasciviousness; he’s in erotic novels and musicals; he is in drunkenness; he’s in paedophilia; he even manifests as the false Christ in cults like Jehovah’s Witnesses, Mormonism, Catholicism etc.

In the New Testament, the church in Pergamum is a case in point. This church was located in a rich ancient Greek city which was “where Satan has his throne.” In this city was built a shrine to Asclepius, the Greek god of healing and occult medicine, and it was considered one of the most famous therapeutic and healing centers of the Roman world.

The church in Pergamum was so invaded by pagan delusions that many believers there were eating food sacrificed to idols and embracing Gnostic teachings. Jesus’ message to them was stern and straight to the point: “Repent therefore! Otherwise, I will soon come to you and fight against them with the sword of my mouth” (Rev. 2:16).

That doesn’t sound like the cheap grace teaching emanating from some pulpits today. All through Scripture, we can see that God will never accept a movement, church, doctrine or religious system that is founded on imprudent mixtures. God wants His people to part ways totally with any ties to the god of the world. That is why He calls His people out of false worship and pagan religions into true worship.

Samuel told the Israelites: “If you are returning to the LORD with all your hearts, then rid yourselves of the foreign gods and the Ashtoreths and commit yourselves to the LORD and serve him only, and he will deliver you…” (1 Sam. 7:3)

This is the same admonition given to the Corinthian believers. We cannot drink from the table of the Lord and also from the table of demons. There is no agreement between Christ and Belial; no fellowship between light and darkness.

We are to renounce all evil works and links with Satan’s kingdom – no matter what “benefit” they seem to offer – and be totally committed to the Lord Jesus Christ.